{"id":1272,"date":"2017-03-24T12:22:25","date_gmt":"2017-03-24T10:22:25","guid":{"rendered":"http:\/\/www.osmotic-studios.de\/?p=1272"},"modified":"2021-08-29T12:58:40","modified_gmt":"2021-08-29T11:58:40","slug":"meet-the-orwell-team-philipp-swoboda","status":"publish","type":"post","link":"http:\/\/www.osmoticstudios.com\/de\/2017\/03\/meet-the-orwell-team-philipp-swoboda\/","title":{"rendered":"Meet the Orwell Team: Philipp Swoboda"},"content":{"rendered":"

Continuing our series “Meet the Orwell Team”, we would like to introduce a very charming person to you today.<\/p>\n

Please meet:\u00a0Philipp Swoboda<\/em><\/h1>\n

\"\"<\/a><\/p>\n

Here is a short interview so that you can find out more about him\u00a0and his work:<\/p>\n

What are your favorite games?
\n<\/em><\/strong><\/p>\n

Games with a strong and emotional narrative, like The Last Of Us or Beyond Two Souls. I’m also a big fan of games with beautiful artwork, like Botanicula, Limbo or Samorost.<\/p>\n

What kind of work did you contribute to Orwell?
\n<\/em><\/strong><\/p>\n

I worked\u00a0on the sound design, so basically all sound effects you hear while you’re interacting with Orwell and stalking\u00a0other people’s lives. Apart from the electronic sounds of the interface in the game itself, I also designed all the sound effects in\u00a0the cinematic intro scene and the effects you can hear accompanying the events towards the end of the game, where … well, I better not hint at, spoilers here \ud83d\ude42\u00a0I had a lot of fun with the mixture of working on synthetic sounds and recording natural sounds needed for Orwell. Designing bleeps and Interface sounds one day and recording crows and angry, yelling people the other day made for a nice variation!<\/p>\n